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dc.contributor.advisorCouroux, Marc G.
dc.creatorTamayo, Alejandro
dc.date.accessioned2018-11-21T13:39:45Z
dc.date.available2018-11-21T13:39:45Z
dc.date.copyright2018-05-10
dc.date.issued2018-11-21
dc.identifier.urihttp://hdl.handle.net/10315/35471
dc.description.abstractThis research process is rooted in a material practice and in the temporal apprehension of objects and everyday materials, extending and complexifying the concept of the readymade (as first introduced by Marcel Duchamp). The focus on materiality separates this research from more traditional time-based art practices such as video, sound, or performance, as I seek to investigate the temporal properties of a sculptural experience. The complexities involved in the object-subject relation are at the core of my research.
dc.language.isoen
dc.rightsAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.
dc.subjectFine arts
dc.titleThe Perfect, Singular Moment, When Reality Looks Back at You to Show, Exactly, What She Has Been Hiding All This Time: Nothing
dc.typeElectronic Thesis or Dissertation
dc.degree.disciplineVisual Arts
dc.degree.namePhD - Doctor of Philosophy
dc.degree.levelDoctoral
dc.date.updated2018-11-21T13:39:45Z
dc.subject.keywordsPractice-based research
dc.subject.keywordsSculpture
dc.subject.keywordsReadymade
dc.subject.keywordsAbstraction
dc.subject.keywordsLanguage
dc.subject.keywordsTime
dc.subject.keywordsPlace
dc.subject.keywordsContext
dc.subject.keywordsSituation
dc.subject.keywordsStudio practice
dc.subject.keywordsOrientation
dc.subject.keywordsGravity
dc.subject.keywordsMateriality
dc.subject.keywordsColour
dc.subject.keywordsObject-subject relation
dc.subject.keywordsPost-minimal
dc.subject.keywordsSituation aesthetics
dc.subject.keywordsNothingness
dc.subject.keywordsVisual arts


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