Now showing items 1-10 of 68
Pudovkin, Kant and the Principle of Perceptual Coherence
In 1926 Vsevolod Pudovkin, while making his first feature film, articulated a precept crucial to understanding how powerful movies are made. He did so by assimilating unwittingly the core of Kant's principle of experiential ...
Filmmaking, Logic and the Historical Reconstruction of the World
An assessment in historical context of how and what filmmakers, logicians and philosophers could have learned from one another about the rudiments of their crafts.
Santayana's Missing Pages: Learning by Recollecting How We Use Photographs
Sometime between 1900 and 1907 George Santayana addressed the Harvard Camera Club on 'Photography and the Mental Image', noting that his remarks seemed to him 'of some importance'. They were indeed, for his talk marked the ...
Growing Things: the Rural Patience of Robert Flaherty
As Robert Flaherty was making his first documentary with synchronous sound (MAN OF ARAN, released 1934), he discovered that he had never learned to cut smoothly between shots. He had become the most renowned maker of ...
On Mathematics, Music and Film
An early attempt by the author to comprehend the nature, scope and limits of the constraints on the possibilities of 'colour music'. (Thesis submitted in the Spring of 1968 in partial fulfillment of the requirements for ...
Randomness and Mr. Goodman's Paradox
Viable inductions can only be drawn from unbiased samples. A predicate like Nelson Goodman's 'Grue', therefore, cannot be used within inductions, for the temporal nature of its definition ensures that any sampling of objects ...
How Do You Solve a Problem Like Induction? Flip a Coin, Twice if Needed
A simple solution to Hume's problem of induction, pragmatically construed.
Kant and Aesthetics: an Introduction
A brief introduction to Kant's Third Critique as presented in November 1986 at the request of Professor Seth Feldman to the undergraduate students enrolled within his 'Introduction to Fine Arts' course of the Fine Arts ...
Michelson, Morley and Me: How We See, Hear and Hear Movies
The Michelson-Morley experiment of 1887 was the watershed in our coming to understand how differently waves propagate. As such, it ought also to have been the watershed in our coming to understand how hearing differs from ...
From Plato to Socrates: Wittgenstein's Journey on Collingwood's Map
How can I learn and help others to learn to mean more precisely by saying, doing and making things? By attending to how Ludwig Wittgenstein and Robin Collingwood answered that question during the first half of the twentieth ...