Now showing items 1-10 of 31
From Plato to Socrates: Wittgenstein's Journey on Collingwood's Map
How can I learn and help others to learn to mean more precisely by saying, doing and making things? By attending to how Ludwig Wittgenstein and Robin Collingwood answered that question during the first half of the twentieth ...
Filmmaking, Logic and the Historical Reconstruction of the World
An assessment in historical context of how and what filmmakers, logicians and philosophers could have learned from one another about the rudiments of their crafts.
Santayana's Missing Pages: Learning by Recollecting How We Use Photographs
Sometime between 1900 and 1907 George Santayana addressed the Harvard Camera Club on 'Photography and the Mental Image', noting that his remarks seemed to him 'of some importance'. They were indeed, for his talk marked the ...
The Exemplary Practices of David Griffith, Part 1: Establishing Events Historically
With the release of THE BIRTH OF A NATION in 1915, David Griffith established by common consent and emulation of his peers the prototype of international feature filmmaking – an exemplar of the possibilities of practice ...
Nelson Goodman's 'Theory of Symbols': an Exposition and Critique
Notes in outline form for a presentation on 13 February 1985 to the 'Media, Mind and Society' seminar of David R. Olson, Co-Director of the McLuhan Program in Culture and Technology of the University of Toronto, on the ...
Pudovkin, Kant and the Principle of Perceptual Coherence
In 1926 Vsevolod Pudovkin, while making his first feature film, articulated a precept crucial to understanding how powerful movies are made. He did so by assimilating unwittingly the core of Kant's principle of experiential ...
Bypassing Elder - Sitney on Elder on Brakhage
P. Adams Sitney, in his otherwise estimable review of Bruce Elder's The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein, and Charles Olson, disregards the author's goal of demonstrating how ...
Photograph of Bernard Hermann and EWC (21 October 1973, Dryden Theatre, George Eastman House, Rochester, New York)
Photograph of Bernard Hermann and EWC taken on 21 October 1973 on the steps of the Dryden Theatre at the George Eastman House, Rochester, New York, following Bernard Hermann's presentation as part of the 'Reminiscence and ...
Photograph of Evan Wm. Cameron (2002, Film Department, Faculty of Fine Arts, York University, Toronto, Ontario)
Photograph by Joan Evans of EWC assessing screenplays of students in the spring of 2001 within his office in the Film Department, Faculty of Fine Arts, York University, overseen by Buster Keaton.
On Mathematics, Music and Film
An early attempt by the author to comprehend the nature, scope and limits of the constraints on the possibilities of 'colour music'. (Thesis submitted in the Spring of 1968 in partial fulfillment of the requirements for ...