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Measurements of UCLA khong wong yai A4 420 Hz (notated as A3) with unadjusted and adjusted cords
Accompanies Rahn, J. (2018). 'UCLA khong wong yai A4 420 Hz (notated as A3) with unadjusted and adjusted cords.wav.'
Bonang Panerus Slendro Tones in Ascending Order
See 'Notes to Accompany Gamelan Tones'
Micro-Structure, Macro-Structure, and Genre in ’Are’are Solo Polyphonic Raft Panpipe Music
In his classic account of ’Are’are solo polyphonic raft panpipe music, Hugo Zemp (1981a, 1981b, 2001) has drawn attention to pulsations within individual tones, non-legato articulation, segmental (‘Buchstaben’) form, and ...
bonangpanerussl with sines
12 bonang panerus slendro tones of gamelan Kyai Parijata in ascending order, as posted at http://www.marsudiraras.org/gamelan/. Each bonang panerus slendro tone is followed by a 2-second sine tone having the same frequency, ...
bonangbarungpl with sines
14 bonang barung pelog tones of gamelan Kyai Parijata in ascending order, as posted at http://www.marsudiraras.org/gamelan/. Each bonang barung pelog tone is followed by a 2-second sine tone having the same frequency, which ...
Spectra of Bonang Panerus Slendro Tones
See 'Notes to Accompany Gamelan Spectra'
Five Stages of Roughness between 600 and 500 cents
Clarity, Impurity, and Discant Structure in Mesopotamian Music
According to a widely accepted interpretation, the “unclear” (la-zakû) intervals of Mesopotamian tuning were tritones, which became “clear” (zakû) intervals—in modern terms, perfect 5ths or 4ths—by tightening or loosening ...
Implicit learning of Indian music by Westerners
Studies by Bigand and Barrouillet (1996), Perruchet, Bigand, and Benoit-Gonin (1997), Bigand, Perruchet, and Boyer (1998),Tillmann, Bharucha, and Bigand (2000) show that listeners exposed to only a few minutes of stimuli ...
Anomalous bonangbarung frequencies and pitches
See "Notes to Accompany 'Anomalous bonangbarung frequencies and pitches'".
Remodeling Southeast Asian Tunings
Since the pioneering reports of Ellis (1884, 1885) and Stumpf (1901), studies of Southeast Asian tunings have been methodologically problematic. Abstract numbers, empirical measurements, indigenous claims, and perceptual ...
Frequencies and frequency ratios in 3 Thai ensembles
kwy 378 756 762 768 774 780 786 792
Khong Wong Yai Octaves