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Space and Voice: Compositions for Contemporary Cello
(2018-11-21)
This dissertation contains a diverse portfolio of ensemble and solo compositions for contemporary cello. Throughout the accompanying paper, the concepts space and voice are utilized as analytical lenses, as they are central ...
I'm a harmony baby.
(New York : Waterson, Berlin & Snyder Co., 1923., 1923)
Doodle-doo-doo.
(New York : Leo Feist Inc., 1924., 1924)
Fascinating rhythm.
(New York : Harms Inc., 1924., 1924)
When Tony La Board played the barber shop chord
(New York : J. Fred Helf Company, 1911, 1911)
The waltz we love.
(Chicago : Harold Rossiter Music Co., 1926, 1926)
Dusty rag song.
(Indianpolis : J. H. Aufderheide and Co., 1912, 1912)
Gee, I like the music with my meals.
(New York : Jerome H. Remick, 1911, 1911)
Happy rag
(Chicago : Harold Rossiter Music Co., 1910, 1910)
That soothing melody.
(New York : Joe Morris Music Co., 1924., 1924)
Texas Tommy swing
(New York : Jerome H. Remick and Co., 1911, 1911)
In the land of harmony.
(New York : Ted Snyder Co., 1911, 1911)
The Dublin rag.
(New York : Leo Feist, 1910, 1910)
That humming tune
(Chicago : Will Rossiter, 1911, 1911)
That chicken glide
(New York : Jos W. Stern and Co., 1911, 1911)
Ragtime violin
(New York : Ted Snyder Co., 1911, 1911)
Doo wacka doo.
(Toronto : Leo Feist, 1924., 1924)
Doodle-doo-doo.
(New York : Leo Feist Inc., 1924., 1924)
Copenhagen.
(Chicago : Melrose Bros Music Company, 1924., 1924)
The Junk man rag
(New York : Jos. W. Stern and Co., 1913, 1913)