Now showing items 1-10 of 179
Big bass viol.
(New York : Ted Snyder Co., 1910, 1910)
My beautiful lady
(New York : Chappell and Co., 1911, 1911)
The Soul of you : High
(Chicago : Carrie Jacobs-Bond and Son, 1917, 1917)
On Mathematics, Music and Film
An early attempt by the author to comprehend the nature, scope and limits of the constraints on the possibilities of 'colour music'. (Thesis submitted in the Spring of 1968 in partial fulfillment of the requirements for ...
The Coming of Synchronous Sound to Filmmaking: an Introduction
An introduction to the causes and effects of the 'revolution' that occurred between 1927 and 1930 within the American filmmaking industry when the making of movies with synchronous sound became possible.
Misusing Sights as Sounds: The Infringements of Radio Drama on the Making of CITIZEN KANE
Many arts have influenced the cinema over extended periods of time. One art – radio drama – is an exception, for we can date the onset of its influence from the coming of synchronous sound to the cinema in 1926 and the ...
'In My Mind's Ear': Misconstruing Sounds as Sights – a Philosophical and Cinematical Caution
The notion of 'imaging' music ought to perplex us philosophically, for 'to imagine' is a verb of visualisation. Hearing musical events may cause us to imagine things, and seeing things may cause us to think of hearing ...
Everybody rag with me.
(New York : Jerome H. Remick & Co., 1914, 1914)
(New York : Mills Music inc, 1928., 1928)
Sam, the old accordion man.
(New York : Leo Feist Limited, 1955., 1955)