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How Do Mainstream Cultural Market Categories Emerge: A Multi-Level Analysis of the Creation of Electronic Dance Music 

Dolbec, Pierre-Yann Dube (2016-09-20)
In my research I explore how a new market category is created in an existing market. I contribute to existing research in marketing by developing a novel framework that conceptualizes markets as constituted of three levels, ...
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Re-working 

Thomas, L. Frances (2015-08-28)
The thesis Re-working explores the concepts of affect, constant change, the unfinished and undefined, and the ineptness of representation. It is a reflection and contemplation on the ontology of painting and the ongoing ...
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Excavating Artiface 

Clyne, Amanda Joy (2014-07-09)
We are all image-makers, whether in paint, pixels or persona, and every image contains a vulnerability and resistance to exposure. Inevitably, the acts of looking at and making images lead to a kind of erotic pathos. Seduced ...
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Exhibiting Climate Change: An Examination of the Thresholds of Arts-Sciences Collaborations in the Context of Learning for a Sustainable Future 

Bieler, Andrew Theodore Cecil (2015-01-26)
This dissertation probes the cultural and political thresholds of arts–sciences collaborations in the context of the development of public pedagogy about a sustainable response to climate change. The dissertation is an ...
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Playing Games with Art: The Cultural and Aesthetic Legitimation of Digital Games 

Parker, Felan Stephen (2015-01-26)
Like other popular cultural forms before them, digital games are undergoing a process of cultural and aesthetic legitimation; the question of digital games’ legitimacy as art is being raised with increasing urgency in a ...
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"Only Connect"? Literary Interventions in a Time of Cruelty 

Borato, Meryl Leigh (2017-07-27)
My dissertation,Only Connect? Literary Interventions in a Time of Cruelty, investigates how fiction and drama of the early twenty-first century focus on the social problem of cruelty, mainly defined as ignorance of, ...
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Seeing the Spell: Baroque, Decadence, and a Cinema of Digital-Animated Liberation 

Morton, Malcolm David (2016-09-20)
This dissertation draws on the artistic traditions of seventeenth-century Baroque and nineteenth-century Decadence in seeking to formulate an analytical vocabulary for the aesthetics of digitally-animated spectacle in ...
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Politics and the Aesthetic Animal: Aristotle and Adorno 

Basnett, Caleb John (2015-08-28)
This study examines the neglected role of other animals and art in Aristotle’s classic conception of the human being, and argues that the work of T.W. Adorno can be drawn upon to recover this conception’s neglected promise. ...
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Of Field and Forest: Aesthetics and the Nonhuman on Hampstead Heath 

Lee, Jessica Jasmine (2016-11-25)
Hampstead Heaths eight-hundred acres of field and forest were acquired for the public in 1871. It was the first metropolitan open space in London to be acquired as a result of decades of campaigning, and is therefore central ...
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Landscapes of the Hinged Trunk: With Seams of Glass and Bone 

Coulombe, Derek Victor (2016-09-20)
This thesis engages the construction of a particular kind of artwork, namely an artwork that functions as an occult device, capable of affecting the physical body of the viewer as well as the space the artwork occupies. ...
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All items in the YorkSpace institutional repository are protected by copyright, with all rights reserved except where explicitly noted.

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AuthorCrippen, Matthew (2)Abyazani, Arezoo Motavally (1)Angus, Lucille Kathleen (1)Arda Guney, Talat Balca (1)Barletta, Christopher Andrew (1)Basnett, Caleb John (1)Belmer, Stephanie Lynn (1)Bernstein, Samantha Annie (1)Bieler, Andrew Theodore Cecil (1)Borato, Meryl Leigh (1)... View MoreSubject
Aesthetics (47)
Art (11)Philosophy (8)Phenomenology (6)Representation (6)Affect (5)Education (5)Film (5)Kant (5)Modernism (5)... View MoreDate Issued2018 (13)2015 (11)2016 (7)2017 (6)2014 (5)2019 (4)2010 (1)Has File(s)Yes (47)

All items in the YorkSpace institutional repository are protected by copyright, with all rights reserved except where explicitly noted.

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