Coghlan, MichaelTollar, Ernest Patrick2021-11-152021-11-152021-062021-11-15http://hdl.handle.net/10315/38782This study presents original, traditional, and experimental compositions placed together in a single volume for performers and students of post-traditional music. The template of this research is made up of complete tude compositions which generate the specific technical focus for each chapter. These woodwind-centric compositions are stylistically diverse and suitable for performance, as well as study. Micro-focused details are marked in the music notation, with symbols and abbreviations denoting the stylistic details and techniques presented, so they may be excerpted, practiced and developed creatively. These tudes may either serve as a launching point into latent areas rich with deeper classical or traditional nuance, or conversely, spark creative directions based on hybridized permutations on various woodwind traditions. This thesis is aimed at contemporaneous woodwind players as well as other musicians, composers, artists or thinkers who seek to reconcile the pursuit of traditional depth with that of fearless and joyfulAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.Music educationUnder One Cover: Traditional & Hybrid Woodwind ÉtudesElectronic Thesis or Dissertation2021-11-15musicwoodwindsaxsaxophonebansurinayneysamaireelIrishCarnaticIndianArabicTrikalamragamaqamhybriddouble saxophoneetudesworld musiccontemporaneouspulse modulationcompositions