Callison, DarceyAvila, Gillian Maria2020-08-112020-08-112020-042020-08-11http://hdl.handle.net/10315/37724Reflecting on the creation process of my flamenco trilogy, this thesis explores how one can reposition iconic flamenco objects when devising, creating, and producing three short films: The Fan, The Rose and The Bull. Each film examines personal, historical, and local relationships to iconic flamenco objects, enabled through the collaboration with filmmakers: Audrey Bow, Dayna Szyndrowski, and Clint Mazo.Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.DanceElectronic Thesis or Dissertation2020-08-11DanceFlamencoFilmPropsObjectsCollaborationProcessCreationBullRoseFanSpainCanadaFilmmaking