Armstrong, DavidNewton, Samantha Fenwick Wyss2024-07-182024-07-182024-04-102024-07-18https://hdl.handle.net/10315/42154"The Practice of Perfection: Dance Gestures and Printed Traces" explores the intimate parallels between printmaking and ballet, highlighting the shared dedication and physical demands of both practices. Beginning with an examination of the historical evolution of printmaking techniques, particularly drypoint, the narrative delves into the meticulous process of plate preparation, marking, and printing. Through meticulous attention to detail and repetitive physical practice, practitioners of both printmaking and ballet navigate the delicate balance between pressure and resistance. The paper further elucidates how touch and pressure are fundamental to the creation of prints, mirroring the physical demands and hidden labours inherent in ballet. Finally, it underscores the importance of embodied gestures and kinesthetic understanding in both disciplines, emphasizing how the pursuit of perfection leaves an indelible mark on both the artwork and the artist's body.Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.Fine artsDanceElectronic Thesis or Dissertation2024-07-18Visual artsFine artsArtPrintmakingPrintmaking techniqueIntaglioTraceGestureDanceBalletPirouetteProcessLabourInkPaperCharcoalAnimationPracticePerfectionFailureDrypointEngravingTechniquePressureResistanceMarkPursuit of perfectionEmbodied gestureTouchEmbodied knowledge