Cameron, Evan Wm.2019-08-012019-08-011968http://hdl.handle.net/10315/36387An early attempt by the author to comprehend the nature, scope and limits of the constraints on the possibilities of 'colour music'. (Thesis submitted in the Spring of 1968 in partial fulfillment of the requirements for the degree of M.S. in Film, Graduate Programme in Film, Boston University.)enAttribution-NonCommercial-NoDerivs 2.5 CanadaAestheticsArithmeticBach, J. S.ColourColour, Perception ofFilmmakingFilmmaking, ExperimentalHearingHearing MoviesInformation TheoryLightLogicMathematicsMusicPerceptionPhysicsPhilosophy, History ofSeeingSeeing MoviesSoundsWaves, Light or SoundCameron, EvanElectronic Thesis or Dissertation