Bowman, Robert M. J.Foley, Susan Ellen2023-10-042023-10-042015-04https://hdl.handle.net/10315/41470In the male dominated world of guitar, there have been many, largely unknown, female guitarists who were innovative players and were musical and social pioneers.This thesis brings to light and celebrates the musical achievements of three such women guitarists—Maybelle Carter, Lydia Mendoza and Memphis Minnie—through biographical essays, musical analyses and compositions based around their individual biographies, aesthetics, unique playing styles and techniques. The accompanying compositions are not only influenced by the lives and stories of each artist, but by their varied cultures—Caucasian, Mexican-American and African-American. Besides being an examination of three accomplished women guitarists, this is also a study of the roots and history of American popular music, with an underlying theme of triumph and accomplishment over oppression, transcendence over gender bias and exemplary artistry that has withstood the test of time.Author owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.MusicGender studiesFolkloreElectronic Thesis or Dissertation2023-10-04Music and genderFemale guitaristsHistory of AmericanaRoots MmsicPioneers of guitarWomen's studiesBlues musicCountry musicTex-Mex musicTejano cultural iconsWomen blues guitaristsIcons of guitarAfrican American influential womenBlack HistoryHistory of popular musicHistory of folk