Buchli, Ines F.2015-08-282015-08-282015-04-132015-08-28http://hdl.handle.net/10315/30065This paper will discuss my process towards finding authenticity in movement as it pertains to my performance of ‘The Man’ and ‘The Venus’ Chorus’ in Suzan-Lori Parks’ Venus. My research details how increased body awareness via internal signals from the muscles and a deeper connection to primary impulses help to address my artistic challenge. My task is to use physicality in performance as a means to express the character’s needs and as a response to stimuli from scene partners. I will create unique physical personas for both my roles in Venus, and I will customize a preparation routine to be completed before rehearsals and performances of the play using the following methods: Authentic Movement, The Batdorf Technique, and Richard Pochinko clowning.enAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.TheaterKinesiologySociologyElectronic Thesis or Dissertation2015-08-28Suzan-Lori ParksMovementAuthentic MovementRichard PochinkoClowningJudith KoltaiAAVECode-SwitchingImpulseActingAfrican DiasporaBlack female Identity