Elmes, Barry2016-09-202016-09-202015-10-262016-09-20http://hdl.handle.net/10315/32143This thesis explores the use of steelpan in the jazz idiom. It includes reflections on the history of the instrument in the jazz context and experiences of steelpan jazz pioneers Othello Molineaux, Andy Narell and Rudy Two Lefts Smith. This thesis also includes scores of seven original compositions for steelpan in the context of a small Afro and Latin-Caribbean jazz ensemble. These compositions have been inspired by the work of the above mentioned 'Pan Jazz' pioneers and practitioners. An analysis is provided for each piece exploring aspects of rhythm, melody, harmony, texture and form.enAuthor owns copyright, except where explicitly noted. Please contact the author directly with licensing requests.Caribbean studiesElectronic Thesis or Dissertation2016-09-20MusicCompositionSteelpanSteel panSteel drumSteelbandAndy NarellRudy SmithTwo LeftsOthello MolineauxAfro-CaribbeanJazzPan JazzLatin and Afro-CaribbeanAfro-BrazilianCalypsoTrinidadTrinidad and TobagoPannistSteel pannistJoy LappsJoy Lapps-LewisPrincess of PanTamboo bambooCarnivalJaco PastoriusJean Philippe-FanfantEthnomusicologyMusic historyCaribbean History