Cameron, Evan Wm.Hehner, Barbara2019-04-122019-04-121981http://hdl.handle.net/10315/36134By evidence and common consent, great 'western' movies are mythical encompassing a Weltanschauung that has engaged viewers within diverse cultures for over a century. Questions recur, however. What makes them so? and why have they proven so enticing to male viewers in particular? Within this essay I and Barbara Hehner address those questions, attending to the design of HIGH NOON as exemplary.enAttribution-NonCommercial-NoDerivs 2.5 CanadaAristotleBeing and TimeBig sleep (Motion picture : 1946)Butch Cassidy and the Sundance Kid (Motion picture)Cawelti, JohnChandler, RaymondCooper, GaryEgan, RichardEverson, William K.Fenin, George N.FilmmakingFistful of dollars (Motion picture)Fleischer, RichardFor whom the bell tolls (Motion picture)George SmileyGilligan, CarolGuns of Fort Petticoat (Motion picture)Haskell, MollieHehner, BarbaraHeidegger, MartinHemingway, ErnestHigh noon (Motion picture)House Committee on Un-American ActivitiesHuston, JohnJames BondJurado, KatyKant, ImmanuelKey Largo (Motion picture)Kitses, JimKohlberg, LawrenceKurosawa, AkiraLeone, SergioLévi-Strauss, ClaudeLoevinger, JaneMcLaglen, VictorMagnificent seven (Motion picture : 1960)Marshall, GeorgeMontgomery, RobertMurray, DonMy darling Clementine (Motion picture)NazisNational SocialismNolan, JeannetteO'Hara, MaureenOrtega Y Gasset, JoséPeckinpah, SamPhilip MarlowePopper, KarlPropp, VladimirRemick, LeeRide the high country (Motion picture)Rio Grande (Motion picture)Sartre, Jean-PaulScreenwritingScreenwriting, History ofSeven samurai (Motion picture)Sturges, JohnSuzuki, DavidThese thousand hills (Motion picture)Treasure of the Sierra Madre (Motion picture)Tuska, JonWild bunch (Motion picture)Warshow, RobertWittgenstein, LudwigWright, WillYojimbo (Motion picture)Zweig, EricCameron, EvanCameron, EvanPresentation