Edgework: Sites of Critical Exchange

dc.contributor.author	Andreae, Janice
dc.date.accessioned	2010-06-15T18:29:10Z
dc.date.available	2010-06-15T18:29:10Z
dc.date.issued	2009
dc.identifier.citation	Inspiring Collaborations: In Honour of Barbara Godard, December 2008	en
dc.identifier.uri	http://hdl.handle.net/10315/4217
dc.description	Edgework consists of Precipice, 1991, Epitaph, 1992, and lesbian leaves, 1999-2001. These works arecollaborative in the sense that I was working out their visual and literary components while I studied with Barbara Godard as a doctoral candidate in English. (Signs of her influence are everywhere.) For example, I participated in her Feminist Literary Theory seminar, French Feminisms, and with her, later prepared for my first field examination, Women Studies in Literature. My paper for French Feminisms, "Reading Julia Kristeva Reading Hans Holbein's Dead Christ," included visual and literary sources and critique just as a paper I prepared earlier for her Semiotics seminar, "Semiotics, Subjectivity and Paterson Ewen's Phenomena Paintings." Barbara encouraged these cross-disciplinary investigations of mine. For the full length description of this work, please see the document titled "Edgework: Sites of Critical Exchange" below.	en
dc.relation.ispartofseries	Inspiring Collaborations
dc.title	Edgework: Sites of Critical Exchange	en
dc.title.alternative	The body of work entitled "Edgework: Sites of Critical Exchange" includes "Precipice", 1991; "Epitaph", 1992; and "lesbian leaves", 1991-2001	en
dc.type	Video	en