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| dc.contributor.author | Vitier, Jose Maria | |
| dc.contributor.author | Lecuona, Ernesto | |
| dc.contributor.author | Cervantes, Ignacio | |
| dc.contributor.author | Saumell, Manuel | |
| dc.contributor.author | del Monte-Escalante, Glenda | |
| dc.date.accessioned | 2009-10-21T19:32:08Z | |
| dc.date.available | 2009-10-21T19:32:08Z | |
| dc.date.issued | 2008 | |
| dc.identifier.uri | http://hdl.handle.net/10315/2885 | |
| dc.description | (Manuel Saumell) 1. La Tedezco 2. Ayes del Alma 3. La Caridad 4. El Somaten 5. La Quejosita 6. Lousiana. (Ignacio Cervantes) 7. Improvisada 8. Ilusiones Perdidas 9. Adios a Cuba 10. Invitacion 11. Los Tres Golpes 12.Decision 13. Picotazos (Ernesto Lecuona)14. Danza Negra 15.A la Antigua 16.Gitanerias (Jose MAria Vitier) 17. Contradanza Festiva 18. Tarde en La Habana (Glenda del Monte Escalante) 19. New Habana 20.(Special Guest piano duet Prof. W.Westcott) | en |
| dc.description.abstract | This repertoire represents a continuous tradition of Cuban Piano Music dating from the nineteenth century. It has its origins in England, Spain, France, while its rhythm and syncopated style derive from Africa. | en |
| dc.language.iso | other | en |
| dc.publisher | GdelE Productions | en |
| dc.subject | Cuban Piano Music: Contradanza | en |
| dc.title | Glenda del E Live Recording | en |
| dc.type | Recording, musical | en |
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